Veronica D’Souza
Canary Song Denmark What an icon, the fabulous Veronica D’Souza not only creates powerful and evocative songs for dance and pop fans around the world, but she also started a fashion brand. CARCEL was active until 2021 and partnered with women’s prisons in South America and Thailand to bring business, clothing and textile skills to vulnerable and disadvantaged people. The combination of expressive arts brings out a seriously luminous light from her story and soul that simply cannot be ignored. Her latest track has been on the wing for about a week now, and it’s high time it got a feature. Canary Song is a feminist anthem to encourage women the world over to keep going and to bring their own fire to the stage. Now sitting on the Danish Design Council and the Soulfuls’ board, Veronica has the ideal archetype to make a perfect impression on anyone who wants to rise to the top in vivid and bright glory. Break free from your cage and fly away with Canary Song. A mixing pot of beats begins the song as jumbled crumbles and snare crackle along to a steady electro bass. A synthesiser lead then emerges, sprinkling melody across the dancing pulse. Micro rhythms can be found hiding between the beats as breaks and repeated motifs develop in multifaceted ways. Veronica starts the verse; her voice is powerful and practiced. An operatic elegance decorates her pitch-perfect notes as extraordinary strength pushes the words forward. Story and feeling mix in the flow as the descriptions create a building image of elegance and fortitude. It’s laid-back yet bumps with a dance groove we can sink into. RnB elements and funky infectiousness give way to unocculted classiness that delivers. You can follow Veronica D'Souza on Instagram Get Your Fill Of Chill With Yearning The Latest Double Tiger Featuring Sly And Robbie Riddims29/7/2025
Double Tiger Meets Sly And Robbie
Yearning Easy Star Records Double Tiger has been in the undergrowth since 2020, building and preparing to strike. Now, armed with rippling beats from Reggae legends Sly and Robbie and a sharply engineered row of hooks, it’s time to pounce. Yearning demonstrates reggae and horn, lending the wholesome talents of Lee Hamilton for the brass. A slosh of riddim and instrumentation, the single comes alongside a deep dub version from 10ft. Ganja Plant’s Craig Welsch. Remembered for his decade long contribution to John Brown’s Body, the prog-reggae marathon, Jay Spaker, aka Double Tiger has also toured with genre icons Rebelution, Slightly Stoopid, Chronixx, Stick Figure, Thievery Corporation, and many more. A long list of collaborations precedes him, and it’s safe to say we’re all Yearning for more. Here it is. The tranquility of the rainforest opens the score before the slick and laid-back beats begin to pulse. Reggae timing and harmonies of horn lean back and enjoy the warmth and the flow. Double Tiger presents, the striking voice begins the journey and leaves us agape as the pure reggae sound slides down. The smooth and colourful inflections of offbeat timing and repeating melody sit down as the vocals meld and merge across chapters of prologue that keep us pinned into the music. Peaceful progressions take s through cornering avenues lined with frilled trumpet blasts, synth beats, and steady snare driven drums. Find out more on the Double Tiger website You can follow Double Tiger on Instagram And Facebook UPCOMING LIVE DATES AUGUST Aug 2 – Surfside, NH Aug 3 – Bernie’s Beach Bar, NH (w/ 10 Ft. Ganja Plant) Aug 14 – SPACE, Old Forge, NY Aug 23 – 118 North, Philadelphia, PA Aug 27 – Ocean Mist, RI Aug 28 – Sanctuary, Maynard, MA Aug 30 – Hop Culture, CT SEPTEMBER Sept 19 – Caz, Buffalo, NY Sept 20 – Levitate, MA Sept 25 – Westcott Concerts, Syracuse, NY Sept 26 – South Hill Cider, Ithaca, NY OCTOBER Oct 3 – Lizard Lounge, Boston, MA Oct 4 – Zen Barn, Burlington, VT Oct 31 – Bayside Bowl, Portland, ME (w/ Mighty Mystic)
Bastion Rose
Cinnamon Fire Bloomington Headed up by front-man Austin Frink, the Indiana-based five-piece rock band launch their second single from the upcoming Traces Of Gold LP. Trailblazing the sound in the wake of their impactful debut, Cinnamon Fire continues the forthright and feral energy of this dazzling group of talents. A song about being tempted by something, and the arguments between heart and head that ensue, Cinnamon Fire has been produced by David Bottrill. He’s got accolades with Tool, Muse, and Peter Gabriel, so Bastion Rose no-doubt have all the right moves and a pure sound that gets the attention of the top brasses. With over a million streams already for their handful of tracks, and a sound that’s been likened to Sabbath, Zeppelin, and Soundgarden, Cinnamon Fire draws us in and crackles with excitement. Let’s listen. A crunch of guitar brings out vocal oohs as the crumbly distortion reveals chord and gradual melody. The riffs push through viscous rock n roll energy as the song breaks free from the syrup of sound. Pianos add a new vibrancy to the mix as the vocal projection shifts to sound like Scissor Sisters or Maroon 5. Gruff and fiery guitar work thrusts a blues metal pipe through the topsoil of moving parts, drums, bass, and lead licks jostle for space as the infrastructure of the music digs in. It’s sexy and swaggering, the musicians almost strut from the stereo as they deliver this classy and musically inventive twist on classic rock. You can find out more on the Bastion Rose website You can follow Bastion Rose on Instagram and Facebook
Your Future Ghost
I’m Like Money Impatient For The Dream A seriously talented pair of stage stars, Your Future Ghost reveal themselves in the guise of great sounding album. Synth-pop, rock, and experimentica decide for themselves among the secluded atmospheres and moving particles of this cutting-edge sound. Impatient For The Dream stands alone as the album to be listened to and with a perfect pairing of gifted musicians and actors making the machine, the scope could be almost endless. With the star-draped voice of Kate Voegele, and her Billboard-charting writing abilities, the undiluted skills of composer, producer, and songwriter Michael Grubbs are put perfectly into place. About finding a niche and a place to thrive in a post-apocalyptic world, our modern sensibilities are put to the test as we take in this musical adventure. Here’s the single, I’m Like Money. It begins with a drama; a group of people walk into a dusty town. Before we know what’s going on, a giant woman walks up and peers in. It’s Kate Voegele, and her voice begins the song. Music envelopes the words as synthesiser harmonies soar over one another and drum riffs overlap and keep the pulse. The music builds as the vocal intensifies, a boundary setting and back off kind of track, it’s a good release for frustration. An exciting video matches up with a monumental song that’s full of empowerment and self-actualisation. The upbeat, pop rock composition of I’m Like Money sits well in its throne of female-fronted confidence. You can follow Kate Voegele on Instagram And you can follow Your Future Ghost on Instagram
Sexsomnia
Forbidden (Shadow Mix) Montreal Alive and kicking since 2021, the avant-garde post-punk trio Sexsomnia have been laying out their upbeat dreary vision along singles, EPs, and a show stopping album. Since the release of last year’s Transcendent, the full-length record on the French label Manic Depression Records, Sexsomnia have gone back to the studio to bring another volley of darkwave and electro-goth from shade to reality. Philip Faith, the bassist, programmer, and vocalist of the group has used his Moog Minitaur, ACCESS Virus T1, VSynth, plus a bunch of analogue devices to create a darkly Shadow Mix for this title track. Featuring the vocals of Stridulum’s Marita Volodina, the track has been produced with a dreamcore style video made by editing some old arty photoshoot footage and putting it to music. It’s like stepping into another reality. Check it out. A grinding industrial rhythm opens the track with mechanical sounds melding with thudding percussion. A digitised vocal then speaks in a dominatrix-esque tone before a throbbing bass riff hits. Bubbling undertones vibrantly jibe at the rhythm as the bass icks along the passageway in ample and bounding steps. Marita Volodina continues with her commanding presence, moving her lyrics through snaking twists of melody and mesmerism. A sense of gloom and shadow fills the air, and the jostle of percussive sounds weld to strange and eerie chunks of atmosphere that glisten like machine oil over the hardware. Dramatic and dirge-like, a sinister world of gothic electronica spins before your ears. Get music by Sexsomnia on Bandcamp You can follow Sexsomnia on Facebook And Instagram
The Bitter Mass
Anywhere Girl United Kingdom Three friends who grew up together in tight-knit working-class South Leeds are now living fully-fledged lives up and down the country. The Bitter Mass haven’t forgotten where they came from though, and they continue to create from that place of honesty, integrity, and face-value that separates graft from grift. This new song is about how different personality types bring about challenges without anyone being at fault. There are people who like to stay where they are, look for security and stability, and then there are those who want to be loose-footed and never tied down to a routine or location. Both people are normal and natural, but relationships between them can be anything but. This is a song about a girl who, for better or worse, can find her home anywhere. She’s the Anywhere Girl. A smooth keyboard tone opens the music as an 80s pop feel bubbles from the vibrant bass and frilled guitars. Reggae rhythms meet rock n roll as the music lifts and builds with piano, guitar, and drums. The vocal hits with absolute clarity. Beautifully poised words sit atop the bars in shining luminance, and the story unfolds. Harmony in the chorus gives way to shattering emotions as we realise the one we enjoyed spending so much time with is about to find somewhere new. The emptiness left behind as we imagine ourselves being someone we don’t want to be and doing what we can to move on from the hurt by appreciating each of our own individualities. Find out more on The Bitter Mass website You can follow The Bitter Mass on X And Instagram Get That Rural Electric Hair Dye Feel With Documentation From California’s Hoist The Colors22/7/2025
Hoist The Colors
Documentation Hey!Fever Records Six guys representing folk punk and beautiful California that go by the name of Hoist The Colors are here, and they’ve got a new single to kickstart the day. Documentation is from the soon-to-be released new album. October’s Dear Wanderlust and its first single explore the human condition in minute musical detail, perceptions and progressions are set down in score for the masses to absorb and hopefully adore. Buzzbomb Studios’ Paul Miner has brought the single to life, which gets underway as of now. They’ve shared the stage with legends galore and they’ve been involved with the world-famous Flogging Molly Salty Dog Cruise. Traditional Americana folk, bluegrass, and an exquisite variety of punk. Enjoy. It begins like Welcome To The Jungle and then evolves into God Speed! You Black Emperor before the first introductory bars. Then, a banjo breaks out from the wailing guitar and warm distortion. The drums and melody work together in a quick-step march through ample feelings and pictures. Vocals akin to The Levellers opens like roses and the lyrics depict all the images we can manage. A frantic and energy rich band thrust the powerful tunes through rock n roll and foot-tapping fiddle to stand and deliver some seriously fun and classic sounding music. Love it or not, you can’t ignore it. It’s too good. The can follow Hoist The Colors on Instagram and X
Jane Doe
The Menu Los Angeles Taken from their second album Found, that was released summer last year, this new music video for The Menu takes Jane Doe and their vibrant rock and charismatic sound to the top-class venue. What’s The Menu all about? It makes a scene and an adventure with the dualistic phenomenon of chaos and calm. Directed by Ava Taulere, the video shows vocalist Izzy and her band moving from riffs and rhythms with expert grace. Having shaved her head, Izzy wants to make a point about honouring the fresh start and being confident enough to take square one all over again. We can do it reluctantly of confidently, so it’s a great way to instil a heroic streak in yourself by acquainting with this video. It begins with a fantastic and grinding guitar riff, crunching distortion chews the tone and delivers a mechanical power through the progression. A powerful and no-nonsense vocal then joins in. Heavy rock with a blues scale decorating the words, Izzy thrusts her force with a sudden female energy that envelopes the emotional background. The band riff and volley with seriously heavy material, lifting the song from passage to passage until the middle eight launches a frantic breakdown that entertains and excites. A retro grunge meets stoner rock as the clean-living feel sets the pace. You can find out more on the Jane Doe website Follow Jane Doe on Instagram TikTok and Facebook Heavy Industrial Goth Group Jesus On Extasy Prepare For New Album And Tour With Soul Crusher15/7/2025
Jesus On Extasy
Soul Crusher Metropolis Records They’ve evolved into the next level of heavy, hard, and dark and Jesus On Extasy are back with their brutal new album. It’s due out on September the 12th and is called Between Despair And Disbelief. The single, out now, is titled Soul Crusher and is designed to do exactly that with its hard-hitting and masterful mix of gothic, metal, and darkwave. Written about the loss of a loved one and all the ideals of the person begin to crumble, when you start to wonder if you even knew the real them at all, the fallibility of the eyes is revealed every time. It is Soul Crushing, as is most passionate disillusionment, and it makes the perfect emotional energy to make a tunnel through your innards. Listed to tour Europe in September, after the album is out, it’s the right time to begin the adventure with this first new offering. Electro bass and drums begin the music with a surge of rhythmic energy. Deep horns then sound over the artificial mountains as new grinding tones and drum-breaks drive in. The lyrics begin, soft and intimate, poetic and industrial, the verse leans in and draws us closer. Then, with a burst of electronic potential, the music reels on its axis and begins to shout the title with heavy guitars and bashing riffs that carry the chaos through the unmapped regions. It’s got a heavy gothic edge that pumps with frantic synth riffs that harmonise and bounce from mixings of bass, guitar, and chord progression. Like Skinny Puppy after a Marilyn Manson party, the industrial darkwave rock sound pushes beyond boundary and breaks all the bollards. You can follow Jesus On Extasy on Facebook and TikTok
Halley Neal
Emily New England The folk singer and songwriter from the twin flame of England burning bright in the USA, independent and fierce, the delightful Halley Neal presents her latest song. Emily is written about a childhood friend, who’s memory colours her imagination to this day. Even as the years have been long and the barriers to friendship have gotten more diverse, the feeling of connection remains. She’s one of those artists that shows up in all the right places, her folk sounds have been enjoyed everywhere from Kerrville Folk Festival to the Rocky Mountains. Out today, putting soul and smiles into the beautiful July weather, this is Emily by Halley Neal. Chord strums and electric slide guitar drift in togetherness as the music accumulates into song. Halley Neal delivers her unique folk voice with close in vocal that tingles as it slides into the ears. The band builds beneath the first verse, banjo and drums bring another layer of melodic tempo as the story about Emily continues. It’s set in the past and yet touches modernity in a past perfect tense. The song-writing progresses through emotional verses about times past and pigments of the now that colour the backward view. An astutely penned and expertly performed number, Emily is as beautiful as the memory suggests. You can find out more on the Halley Neal website Follow Halley Neal on Instagram and Facebook
Andy Stochansky
Stupid Perfect Los Angeles The amelioration of stupidity to mean something out of the park and undefinable rather than of low intellect or emotional intelligence is what it’s all about. Remember that next time someone shows themselves up as a moron by pointing out you’re not a supercomputer. Stupid Perfect is a song about when something is so good that you are glad to throw all caution to the wind and know that not even fate can be tempted. This is Stupid Perfect by Andy Stochansky, the latest track from the LA-based musician and performer. Fans will likely know him from his days drumming for Ani DeFranco and his recent White Elephant Project. We’re now thrilled to pieces to have a solo album in the rafters, waiting to be unrolled. Poetry Of Birds is eagerly awaited, and if the quality of his previous work is anything to go by, it’s bound to be Stupid Perfect. Here’s the song. Mellow keyboards and drawn-out drumming open a sultry smooth progression, and Andy Stochansky begins to sing. His rock n roll blues voice carries like a breeze across the choppy landscape below. A rolling hillside and forested riverbank is represented in sound, lush moments of warmth and emotional clarity. Slow and steady rhythms carry the song onward through story-line letters to someone or something that extends beyond measure. A peaceful moment to listen in, a dream and a memory coalesce as the music rises with strings and whistling winds to follow through to the end. You can follow Andy Stochansky on Instagram and X Hamburg-Based Dark Pop Duo Rotersand Know The Sexiness Of Slow And This New Record Proves It14/7/2025
Rotersand
Sexiness Of Slow Metropolis Records / Trisol The northern hemisphere summer is keeping the pace and it’s steady as she goes for many of us here. To appreciate the timing of our activities, and to bring yet more searingly good electronic dark-pop to your ears, this is the latest single from Germany’s Rotersand. The Hamburg-based duo, Rascal Nikov and Krischan Jan-Eric Wesenberg, are letting out snippets of their new album Don’t Become The Thing You Hated. It’s unleashed on the 8th of August. Not long to go now. Sexiness Of Slow makes its way to dancefloors and living rooms, maybe even car journeys to reveal the delicate tension that arises in tender and sensual moments. Blending oxytocin with adrenalin to over-ride the cortisol requires a keen understanding of music, rhythm, and writing. Putting the soul and story into music that makes a good dance piece so we can express all that feeling, this is Sexiness Of Slow from Rotersand. A striking gothic drum rhythm accompanies synthetic heavy breathing as the music opens with bass that throbs and pulses in a grasping tempo. The lyrics enter; imagery and descriptors frame the abstraction and sensation as the Tricky-style voice continues with push and pull directions. A punchy disco themed undercarriage of rhythm bounces with vibrant bass that revolves around a stepping motion with huge orchestral stabs that melodically enrich the breaks. It keeps going and surges through the wall of the radio edit with another minute of morish and motivational sound. Sexiness Of Slow is a moody and intimate track that sits just above the goth funk section. You can get music by Rotersand on Bandcamp Find out more on the Rotersand website You can follow Rotersand on Facebook
Juliet Lloyd
Reno Cure United States Since releasing her latest album Carnival, her first proper record for ten years, Juliet Lloyd has been back in the studio to create Reno Cure. A recent divorcee with the emotions and dramas of this life-change framing her songwriting muse, Reno Cure is another dose of liberation. In the 1950s you could live in Nevada for just six weeks and then legally claim a no-fault divorce. It was the simplest and cheapest option for most people, who wanted freedom without the legal comeuppance. Currently touring the UK, enjoying our beautiful sunny weather, the indigenous and the integral folk of Great Britain are enjoying the Americana-tinged blues rock feels of Juliet Lloyd in return. It enters on a dainty nylon string melody that bobbles in tuneful jumps of tone. Juliet starts to sing; her captivating voice hangs like gentle sheets on the gradually bumping up rhythm. She swears, letting us know she’s only human and then we, intrigued, continue to listen. Her song rumbles on and up, powerful sensations keep the torque as the machinery of her heart carries the load forward with grace and poise. A few weeks in Reno and the full house is all yours. Or is it? Perhaps you’ve lost it all in a dumb bet. Let’s just listen to Juliet. Find out more on the Juliet Lloyd website You can follow Juliet Lloyd on Instagram And Facebook
Tombstones In Their Eyes
I Am Cold Los Angeles When personal strife brings a downward spiral towards oblivion, only the creative instinct can turn the table. When it’s the turn of chaos to make its move and the orderly progression of life is reduced to crazy paving, lay that stuff everywhere. Out now on Kitten Robot Records, the new Tombstones In Their Eyes track I Am Cold is a monument to the inner turmoil that so often bites in and sinks us. The psychedelic rock band from LA are preparing to release the Asylum Harbour LP, of which I Am Cold is the final single from the record. Recorded by producer and engineer Paul Roessler, who’s name can be found alongside Nina Hagen, Hayley and the Crushers, Josie Cotton, and Gitane Demone. Let’s catch that sinking feeling and board the train to Downsville with this new offering. A fizzy-pop style opening riff brings out the song with upbeat melody and bouncing rhythms on drums and bass. The climbing guitar tune reaches into scale formations and pattern changes as the pulse of the tempo pushes on in an almost hypnotic manner. The vocal enters like a surfboard, catching the wave without a change, seamless joining of the sound brings out a driving sense of freedom and openness. A dreamy and evocative melody grows from the roots of heavy and blues rock style pounding on the guitars as the drums break and roll over the natural landscape, littered with boulder and flowing stream. A song about feeling lonely, and about feeling left out, it’s a refreshing taste of something we all are probably familiar with. You can get music by Tombstones In Their Eyes on Bandcamp Find out more on the Tombstones In Their Eyes website Follow Tombstones In Their Eyes on Facebook And X
Firebug
Time Marches On California The alternative-rock duo from Joshua Tree CA are back with extra luminosity for their latest video single. Jules Shapiro and Juliette Tworsey bring the sounds of the deep, dark, desert with an atmospheric electronic rock style. Firebug have been enjoying the festival circuit in recent years, having done their thing at Knebworth, Dublin Castle, NXNE, CMJ, SXSW, and lots of others. Finding a modern sounding niche for the genre blends of the 60s and 70s, Firebug have identified a much-needed recipe for their no-nonsense and infectious attitude. From working with Grammy-Award producers and sharing stages with people like Iron Maiden to a music deal with Apple TV, their new video continues the adventure. Time Marches On was produced by Jordan Lawlor, who’s also worked with people like Deftones, Beck, plus M83, and has a brilliantly made video you really need to watch. A pulsing bass evolves into a groovy keyboard rhythm that’s like a time machine. Juliette begins the song, her intimate and heart-felt delivery pours over the melodic frame with notes all of her own, resonant and harmonising. The drums add new dimensions to the tune as the keyboard continues with its looping and progressive selection of notes. The song grows and expands, like the universe and like the trunk of a tree, until it bursts free from its seed and launches into freedom. The music takes the lead with a dramatic break before lead key and guitar leap into action. The vocal rejoins the flow as the punch of rock n roll makes us step back and watch what’s going on. You can follow Firebug on Instagram And Facebook The Latest Tim Skold Track Has Dropped And It’s About AI Deciding That All Humans Must Be Destroyed3/7/2025
Skold
All Humans Must Be Destroyed Sweden Ex-Marilyn Manson musician Tim Skold is on fire with new solo material. A new album is on its way, with the shelf date set for October (preorder). To kick off the run-up to release, the latest Skold single is out now. All Humans Must Be Destroyed concerns the frightening rise of AI and the potential outcome it decides we all must go. I guess the good thing about AI is that is has to do what it’s told, so if we tell it not to do something, it ought not to. But what if someone reprograms it? Now we’re getting serious. And this is serious music, known for work not just with the Anti-Christ Superstar, he’s also an ex-member of the prolific hardcore darkwave group KMFDM. The desire to replace pretty with pretty brutal rides out with another layer of designer music made for people like you. Let’s give ourselves a treat and examine the dark future of AI. Surging synth bass and creepy melodies on the upper voice bring out a dancing digital manifesto that grabs the attention. Bashful rhythms rumble down with tonal bass kicks and tom rolls as the digital snare crackles within the break. The music merges multiple layers of great sounding rhythms and melody patterns as Skold enters with his vocal. The industrial edge with tuneful elocution curls over and around the choppy soundscape like a silver surfer, effortlessly flowing across a frictionless ballet with lyrics about love and war, dark motifs and emotional adjacents meet the sinister AI voice claiming total dominance. Who will win? You can follow Skold on Facebook And Instagram
Tihane
Throw It Back London and Los Angeles Stunning audiences with a creative blend of Polynesian and Croatian culture, and with a debut album recently out, Tihane shows no fear as she dances with a python on Throw It Back. Her new single captures the indigenous soul genre she’s worked hard to create and lets the cat in for the rest of the album that simply carries you away. Balancing rap and singing vocal styles on a framework of clever and evocative sound productions. Her album uses the inventive idea of sampling old records from various world cultures to make up the backbone of her songs, which are all aimed at exploring tenderness and care. The War On Love LP is the long-awaited record from Tihane since her smash single last year, Ain’t That A Bitch, which was gift-wrapped in praise by the media including Earmilk, Clash Magazine and Cultr. When BBC Radio 2 says it’s an absolute tune, what else can I say to put it on your hi-fi? Now? With a scattering of beats and an enchanting tone the song opens its doors and lets us in. Tihane begins with her syrup like vocal it drips and hangs from the bars in emotive and sensual clusters of intrigue and subtle drama. Beats and bass begin to rumble, driving and seductive tempos rattle along the groove with playful and inviting patterns. A lush R&B meets solid songwriting to bond in a glittering middle that’s laid back, morish, and memorable. You can follow Tihane on Instagram |
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