A Grown-Up Break-Up And A Soulful Dose Of Western Rock It’s Eileen Carey With This Is Where9/1/2026 
Eileen Carey
This Is Where United States The US country rock and pop fountainhead Eileen Carey brings her west-coast and award-winning sound to 2026 with This Is Where. A break-up song, respectful and grown-up, the difference between music for adults and Taylor Swift’s bitter robusta coffee, Eileen Carey shows that moving on can be a positive if not difficult challenge. As much about empowerment on stage, Eileen Carey brings her own vibe to the boardroom and dining hall. An ambassador for Joe Blasco Cosmetics, her natural good looks and elegant style blend like foundation across industry and society. Let’s break-up with inadequate feelings, This Is Where. A rise of melody spans out across spectra of sonic clarity. Eileen Carey begins the song as synths and drums bump and roll together with a lush composition. Her voice shimmers on the notes as the words create the imagery line by line. Easy listening with a backbone, the song edges with a western swagger while solidifying in the crystalline sound of pop rock with a classic feel. Anthemic sections sit along versatile moments of rockin’ groove and thrumming bass. A sentimentality threads itself through the verse and chorus structure that holds the listener close with intimate sensations translated into abstract synth and dynamic rhythm. You can follow Eileen Carey on Facebook and Instagram
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Sink Into Nourishing Ambience With Danish Composer Hannah Schneider And The Enchanting In This Room9/1/2026 
Hannah Schneider
In This Room Denmark Highlighting the necessity for authentic presence, intuitive design, and human creativity in the music industry, Hannah Schneider teases her new album with In This Room. It’s the title track and a tone setting number that begins the introspective adventure. The BBC Radio 6 and Radio X featured artist hits the new year running with her meticulously recorded and produced opus. Inviting her favourite and most admired musicians to her residency at Copenhagen’s Thorvaldsens Museum, the select and exclusive band of creatives put the new album together. With an electronic theme and an inventive use of sound and musical talent, Hannah Schneider continues to build her reputation as one of the nation’s most tantalising artists. A wash of strings pours across the stave while dappled motifs build from droplet bounces upon the spongy surface. The drumming rises to meet vocal; a jazz infused delivery dances on subtle note changes and melodic emotive projection. It’s an amplified hush, the band swells like gracefully moving waters through pretty, natural streams lined with rocks and meandering riverbanks. Synths and strings meet bass and drumming as the folk-edged melody carries us upward like gusts of nurturing spring air. The soundscape is deep; elements of flow reach right back into hidden harmonies while the front facing song leaves us feeling pleasantly rewarded. You can follow Hannah Schneider on Facebook and X 
Eric And The Soo
Don’t Let It Get You Down Eastside Confectionary Records Indie rock and folk blues band Eric And The Soo have just released Phoenix. Their latest album showcases a longlist of popular singles and unheard originals. For over ten years the band, headed by Eric Brombacher, have offered a cool and cosy yet upbeat and memorable formidability that gets them noticed on an international scale. Their hard work and focus have paid off tremendously, a headline act or a slot filler that keeps the place going, Eric And The Soo consistently keep the energy positive. Taken from the new album, Don’t Let It Get You Down reflects a message we need to keep audible as often as we can. Enjoy the whole album or just take a dose of confidence with the feature track, it’s your call. A roll of the snare bursts into groove as the guitar slides in with a bubbly, blues-based melodic progression. Eric hits the mic as pianos lean in with funky jazz motifs and slender additions of melody. The lyrics bump along with a solid acoustic guitar that marches along with the folk-inspired drumming. Uplifting and thoughtful, a dialectic of sensation pulls us in and expands the mind with multifaceted lyrics involving all kinds of human emotions. The band launch into a section of phenomenal playing, a sense of jive and jam hits the song as everyone gets to playfully create their own chapter. The song is full of inventiveness and manages to stay just predictable enough to become embedded in the mind. You can find Eric And The Soo on Bandcamp Follow Eric And The Soo on Facebook As Dark Inside As It Is Outside pMad Brings Blood With Classic Industrial Post-Punk Revelry7/1/2026 
pMad
Blood Ireland Somewhere in a mysterious studio deep in County Galway's Portumna, Paul Dillon aka pMad crafts unique sounding and emotionally charged post-punk and gothic electronic music. His creations always have a searing edge that push the form to new experiences while retaining the groove and catchiness we expect from the genre. With lyrics about failing society, unequal operations, and soulful dynamism, pMad delivers the tracks like artillery fire, streaking over our musical horizon at regular bursts. He’s got a new album out, it’s on Bandcamp, 1 + 1 = -1 offers a window on the absurd and the powerful. The singles from the record are the only tracks that will be released on the streaming sites. This means that you’ll have to pay for the music if you want the whole thing. Is this a trend for the future? Has pMad set the tone for 2026? Let’s hope the arts and media get a bit more equity this year. Let’s start the party with Blood. A bass-heavy guitar riff begins the piece with an industrial kick that punches in with angst and force. The music settles into the bassline; a Machine Head heaviness emerges as the lyrics begin and pMad offers his synonymous chanting vocal style. Electronic drums rattle and pump as the metal surge guitar-driven chord progressions offer drama and intrigue in the mix. A Shakespearian tone in tragedy and human nature forms as the lyrics design a landscape of little people in the big wide world. Like Pistols, we muddle on, we listen to the smash of the gothic shudder found in pMad’s productions, and we stay content. It’s got everything elements from Marilyn Manson and Fear Factory to KMFDM and Kraftwerk. You can follow pMad on Facebook X and TikTok 
justbrandon
Bury Me On A Back Road featuring Willie Jones Gravel Road Country and rap fusion with a modern style production, Indiana’s justbrandon presents Bury Me On A Back Road. Known to his friends as Brandon Gabriel Jones, he started making moves in the music zone during school. A natural, the young Brandon found himself getting past the first few hurdles with ease. He developed a story-telling style that blurred the lines between vivid descriptive poetry and rhythm-based emotional exploration. In 2015, he broke into the scene by making music for social media personality Taylor Caniff. His YouTube videos are highly popular, and the platform gave Brandon the stepping stone he needed. He went on to release a track called Busch Light Papi that went viral on a global scale. Signing to Gravel Road, justbrandon wrote Bury Me On A Back Road. It features Beyonce collaborator Willie Jones, lending that little bit of star power to the fast-forming luminary in the Indiana skies. About lightening the load when feeling the grief of personal loss, a pivot of feeling is something we can all make work for us. Something a bit unusual for Sound Read Six yet no less valuable and creatively formidable. Let’s hear it. A fluid acoustic plucks the melody through a structure of chord and key and the vocals hit as the drumming digs the groove. RnB style vocals begin the piece, a graceful and heartfelt section that lifts the spirits carries us into the music. A break then strikes us, the music swerves like a jet plane and the thrust drops a flow of verbs and adjectives in a fast rap that accelerates the whole piece. It lifts and throws us forward, with g-force and glory, before new melody finds its way and the song continues. The acoustic merges with electronic hip-hop beats and slide guitar that adds extra vibrancy and subtle feeling. It’s so well produced and put together, it’s hard to believe this guy has only just got started. All those hidden years of effort really do make the difference. Find out more on the justbrandon website Follow justbrandon on Instagram and TikTok You can follow Willie Jones on Instagram TikTok and X
Peter Murphy and Boy George
Let The Flowers Grow (Juno Reactor Remix) Metropolis Records A vibrant and fresh remix version of the 2024 collaboration between Peter Murphy and Boy George, this Juno Reactor Remix of Let The Flowers Grow produces a new self-seeding bloom. Produced by Youth, from credits with Pink Floyd, Paul McCartney, The Orb, and Killing Joke, the pairing of legendary vocalists show their classical side. Orchestral and adventurous, the song began life as a social narrative about George’s own gay realisation journey. It quickly evolved into much more than about being gay, as it became clear that all kinds of personal and social differences create tensions in our community and the relationships we have with ourselves. Creed, race, moral compass, colour, music taste, and more, they all create variations in the way we see the world and our place within it. Remixed by Brighton’s Juno Reactor, a fusion of electronic and global styles brings inventiveness to the front. Like the flowers in a lovely meadow, aromatic and lush wildlife, our society is a mix of hardy and annual specimens of persona. Rather than digging it all up and putting uniform crops in the ground, let’s just Let The Flowers Grow. It begins with a delicate tone; a distant power forms gracefully in the space between the music. Lyrics enter; a sudden and emotional tenor paints the drama and sensation across the bars in poetic verses. Percussion and synthesiser work together to unleash sensual drives of passionate harmony, finding nooks in the soul where the warmth can begin. With a twist of a dial and a push of the mixer, bass and tone then collide with the flow. Dancing rhythms and grabby techno bass beats form a heavy and energetic backbone. The words re-enter, like a rocket ship bringing back secrets from the stars, the duet of vocals aligns with the fiery pulse of the rhythm section. The flower meadow is in full colour, and the aroma is guiding our imaginations towards the microcosmos of felt reality. You can find out more on the Peter Murphy website Follow Peter Murphy on Facebook and Instagram Find out more on the Boy George and Culture Club website You can follow Boy George on Instagram and X Find out more on the Juno Reactor website Follow Juno Reactor on Facebook |
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