In The End
The BMI Award-winning Trance producer Dash Berlin has delighted us all with a brand new release for the start of the year. Sebastiaan Molijn has been breaking boundaries and establishing his own scene for over ten years. Alongside the talented co-producer Eelke Kalberg, the duo have enlivened and invigorated the sociology of the trance movement through consistently recognisable and enjoyable releases. Already labelled a future classic by the fans who know what's what, we need to all give a few minutes to see if we are one of them.
A superb bass dive launches the music into high-velocity gear as vocals mirror strike synths and throbbing bass. The trance-beat begins and we're driven into a speedy corner of topographic bass and resonant smash epochs. A piano begins with a key-melody and the song begins. In The End (It doesn't even matter) the famous lines reworked over a brand new composition and style. Percussion builds over synthesiser tones that rebel against the quietude. Drums then emerge to fulfil their destiny and the music swells again to bring out the frantic dance spirit that trance is all about.
Find out more by visiting Dash Berlin online
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