True Lies Landmine Sweden It’s said in some circles that Arnold Schwarzenegger has a copy of their late-eighties debut record, but despite sharing a title with the actor, that’s the only connection they have. It’s good enough for me. Well known in their local area and in the wider Scandinavian circuit, True Lies have been familiar faces to many music fans over their 30 years or so on the job. Their home-grown brand of bubbling melody and effervescent rock n roll is perfectly suited to fit any entertaining setlist. The song starts with an up-beat guitar melody that wouldn’t sound wrong on an REM album. With a twinge of country-rock and old-fashioned rock n roll, the song jumps into verse as the band strum and drum in a cosy rhythm. A melodic progression of chords ring out in subtle variations and repeating bars as the story unfolds. Female fronted vocals and male undertones to carry it forward, the rock and home sense of song writing brings all the right ingredients and the right mix of people for a celebratory bash in the name of great music. You can follow True Lies on Facebook
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The Epic And Adventurous Tale Of Tam Lin Is Told Again With A Full Cast Of Classy Creatives16/11/2022 Elliot Cole, Fiona Gillespie, Makaris Tam Lin Celtic Traditional Elliot Cole is well-known for scoring the film Evolver, directed by Terrence Malick. Described as a “contemporary bard” by the NY Times, his writing has been utilised by Grammy-Award winning Roomful Of Teeth and taken on by over 250 groups around the world. Fiona Gillespie was brought up in a Celtic musical household and quickly found her own feet in the magical genre of thought. A member of The Chivalrous Crickets and a keen participant in collaborative projects, her adventurous spirit fits perfectly with the song. Makaris were formed in 2018 and named after a Scottish Royal court troubadour. Their music takes inspiration from old stories and history that take the listener back to previous eras where romance and risk were prominent in our lives. Bringing a trio of talents into the fold to reinvent a precious and enchanting Celtic-baroque folk song from historical Scotland, Tam Lin becomes the figurehead for our modern memory of past times. Turning the magical and captivating composition into a new-sounding rock opera has been a massive task, gladly undertaken by the phenomenal skills of Elliot Cole, Fiona Gillespie, and Makaris. Set on the spooky stage of All-Hallows-Eve and brought to life by the traditional expertise and long-established musical style of the ancestral artists, the 17th Century ballad from the Borders finds a new set of clothes to wear in today’s flashy world. Taking on the story of the girl who got pregnant then went her own way against the will of her community is this terrific ensemble of minds. This epic track is turned into a movie-like video. It opens with guitars and pipes that spell a mysterious allure into the theatrical silence. Melody unfolds and reveals sparkling motifs and timeless harmonies. A bassoon and horns enter to open the door for the vocal. Delicate and beautiful, the voice projects in a traditional folk operatic style. Whispers of Pentagram and Clannad clothe the sound as we’re taken far back in time. The song begins to fluctuate, parts and acts become apparent as the story begins to spin. Dramatic and poetic, the lines draw us in with spontaneous melody evolution and orchestral infusions of beautifully brilliant instruments. Male vocal joins in, the complement of singers reveals a scripted play of musicality like something from the big theatre. Scenes of historical setting add to the fantastical story that whisks us into realms of by-gone days. Epic and intriguing, the music jumps from sense to sense with adaptations of the story's various corners. You can buy the music from Bandcamp You can visit Elliot Cole online Follow Elliot Cole on Twitter You can visit Fiona Gillespie online Visit Makaris online And follow Makaris on Facebook Defaultman / Pat Lezizmo The Boy Who Recorded Birds Sublease Records Producer and DJ Thierry Tomas AKA Defaultman has teamed up with Belgium’s premiere producer Pat Lezizmo in order to put together a new branch of the electronic dance family tree. Released as a two-track single, The Boy Who Recorded Birds is accompanied by The Girl Who Drew Flowers. A steady output of high-profile dance material flows from both artists and this companionship is likely to further their reach even more. The record feels right at home on Steve Bug’s Sublease impress where groove and bass get all the attention they need. The beat hits immediately. A snare, cymbal, and bass drive carry forward and set a marching pace that gets everyone moving. Synths boil from the undertones and linger in subtle bubbling textures within the rhythm. Bass swings in with a funky melody that’s full of expression. Atmospheric bass-end tons form accented harmonies with the bassline as heady wisps steady the flow with tranquil overpasses. Moody and introspective, the outward projection of rhythm is graced by the delicate mixing and shifting sands of melody and pattern from within the stable frame. You can follow Thierry Tomas on Facebook And Instagram You can follow Pat Lezizmo on Facebook Buy the music from Bandcamp The Speed Of Sound Charlotte (12” Version) Manchester Inspired by the timeless and avant-garde creations of Charlotte Bronte and a true-life story from her life in the 1850s, Manchester’s The Speed Of Sound bring Charlotte the song. Issued as a second track on their double-A single, Virtual Reality 123 / Charlotte, this memorable in memoriam was first performed live in Elizabeth Gaskell’s actual house. This is the same venue that Jane Eyre author Charlotte Bronte herself once hid behind a curtain, so she didn’t have to entertain a guest. Gaskell went so far as to write a biography of her friend that is still available today. Billed to mark the writer’s 200th birthday, the band’s extended edition adds another layer of atmosphere and poignancy to the fugacious nature of this remarkable artist of yore. The music begins with sound effects, we sit close and listen. Drums then begin with a tribal feel as tom-toms bash a rhythmic dirge. A vocal begins to snake over the beats, melody without words begins to draw in the mists as the music rises to meet the pattern. Another voice adds yet more momentum to the flux as guitars begin to fall into place. Then, a burst of gain and drums unveils a powerful vibrancy that pushes everything forward. A gloomy and ghostly atmosphere builds within the track, odd harmonies and sombre elocution reveal tentative sensations in the river of sound. A smash of chorus once more brings a frantic moment before more mysterious and ethereal vibes continue the build. Charlotte ends on an uplifting bash of dream and rock n roll that spirals with ever-moving vapours of a cherished history. You can get the single from Bandcamp Visit The Speed Of Sound website Follow The Speed of Sound on Facebook And Twitter 10 Rogue Hell To Pay Belgium Merging the unique talents of heavy metal maniacs from both Belgium and South Africa, 10 Rogue have created a vibrant and fiery alternative sound. With melodic and groovy composition, the music turns up the energy to release the full-form attack that evolves from this genre. Members of the band have each got their unique attributes and personality, with one of the guys being famous for putting music mogul bigwig Simon Cowell in his place. These are the same guys with a member that supported Bon Jovi live and one who reached the final of a huge radio competition. 10 Rogue bring the bad and make is sound better than good as they untie Hell To Pay and let it run off into the wilderness. With a jump-start, the music bursts into being with a fantastic guitar progression that shreds and roils beneath a bump and crash of drums. The lyrics enter, it’s like Guns n Roses with a bluesy feel that dances into fun and lively scales of melody. An Alice in Chains style composition chugs and tractors in stages of progressive punch. The mix of influences continues to grow as the vocal style adopts a nu-metal sense with harmonising sounds over the long-projected melismas. A continuous thump and roar maintain the upbeat and powerful music as the song takes us from start to finish with screeching corners and white-knuckle accelerations. You can follow 10 Rogue on Facebook And Instagram Rock N Roll From Dublin’s Finest Hits Us With That Classic Feeling On The Animal Gang’s Gimme Love10/11/2022 The Animal Gang Gimme Love Dublin When skilful singer-songwriter Kris Finn began working in the studio with the hotly talented Denis O’Neill, The Animal Gang was formed. Now with the additions of Carl on guitar, Paul on the drums, and Shakey on the bass, the band have everything they need to produce their canopy chorus from the lofty heights of well-earned musical prowess. Having grown in number and outreach since their 2016 debut Like A Mine, now with their third single and second of the year, Gimme Love has been inspired by the guitar energy we can find in groups like AC/DC and The Rolling Stones (follow the links to eBay merch). A funky slosh of rhythm opens the track as laid-back guitar riffs begin to surge with a bluesy swagger. Melody builds on the chords as bass and guitar jam in frothy scales and progressions. The lyrics enter, strong and emotionally powerful delivery brings a stylish and fun groove in the rhythm projected by the lines. Licks and fills sneak in beside the lyrics to keep a continuous push of drive that fuels the song. A slurry of cool and breezy guitar work maintains an inventive and inspiring motion as the song motors on at empty highway pace. A treat for the classic rock fan, a breath of fresh air for the modern music lover, and a push in the right direction for anyone who wants to let loose, Gimme Love from The Animal Gang hits all the right spots. You can follow The Animal Gang on Facebook And Instagram |
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